I design private homes as environments for recovery: morning light that supports sleep, bedrooms that calm the nervous system, planning that protects privacy, materials that do not overload the air, and proportions that feel natural to the body.
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The work starts with the land, climate, sun path, sleep, quiet, privacy, air, materials and daily family habits: waking up, working, eating, resting, receiving guests and being alone. Under the hood, my method integrates Vastu, Vedic architecture, Russian sazhens, classical proportion and modern healthy building principles.
Orientation, wind, privacy, access, views and climate become the first strategy of the wellness home.
02 · Circadian HomeBedrooms, morning light, overheating protection and evening calm are treated as architecture, not decoration.
03 · Quiet LuxuryNoise, circulation, service zones, boundaries and human proportions are solved before construction makes them expensive.
A home that works on restoration, not on depletion.
Charged in the morning. Recovered within 15 minutes in the evening.
Geometry that brings people together — not apart.
«A home isn't a box for living. It's an instrument that either supports you or quietly drains you. There's no third option.»
| Criterion | Standard house | Wellness architecture |
|---|---|---|
| Proportions | Generic metre grid from a building-code table | Calculated to the heights of husband and wife through Φ |
| Orientation | Wherever the developer placed the entrance | Main façade and bedroom windows facing sunrise |
| Room placement | Kitchen next to bedroom; bathroom in the centre; boiler room wherever it fits | Kitchen to the east (morning sun), bedroom to the west (calm), free central core — brahmasthan |
| Sleep quality | Depends on curtains, supplements, alarms | Supported by orientation, acoustic zoning and correct proportions |
| Longevity | After 5–7 years: "something feels off" — remodel, move a wall, extend the kitchen | Built on laws that don't expire — the home feels better every year |
| Acoustic comfort | Background noise from risers, neighbors, appliances throughout the home | Calculated reverberation in bedrooms; quiet heart of the house — brahmasthan |
| Tradition | One century of normative regulations, born in industrial mass production | Three thousand years of living tradition: India, Rome, Renaissance Italy, old Russia |
| Your role | You adapt to the house — move furniture, buy blackout curtains, replace the kitchen after 7 years | The house is built to you — the proportions, light and placement work from day one |
These principles are the foundation of Vastu Vidya, the Indian science of building, three thousand years old. The Western canon of Vitruvius, Palladio and Le Corbusier arrived at the same conclusions independently, two thousand years later. I work at their intersection.
A home cut to the height of the husband and wife. Not to a building-code table.
External dimensions follow your height through the golden ratio Φ. Interior rooms are scaled to the wife's height. Window sizes, door heights and pier widths are multiples of sazhens — Russian harmonic measures, calibrated to your family.
Step inside, and the body recognises it: the windowsill meets your hand, the ceiling sits above your eyes, the doorway accepts your shoulder. A home built by standard meters needs renovating after five years («something feels off»). A home calculated to your body never needs renovating.
The method was used by Vitruvius, Palladio, Leonardo's Vitruvian Man, Le Corbusier's Modulor. Two thousand years of architectural practice — against one century of normative meters.
The main entrance and the bedroom windows face the sunrise.
The first thirty minutes of morning sunlight set the family's circadian rhythm for the day. With the right orientation: deep sleep, clear morning, calm children. Without it: slow wake-up, rising cortisol by evening, and within a year the household accepts this state as normal.
A house where the sun wakes you first makes alarm clocks unnecessary. Awakening through light is gentler. The body recovers fully. Mornings don't get broken by sharp sounds and the first cup of coffee.
This is neurobiology, studied at Harvard, Berkeley and European sleep centers: light, sleep and recovery work through mechanisms every body shares.
Every room in its proper place.
Kitchen and dining toward the east, to the morning sun. Bedroom toward the west, where the day ends in calm. Study to the northeast, where light gives clarity of thought. At the heart of the house — a quiet energy core: no engineering shafts, no flowing water, no heavy machinery.
Catalogue houses often place the kitchen next to the bedroom, the bathroom in the center, noisy plumbing risers near the children's room. Within a year, the family adapts to half-sleeping and quick eating. In a properly arranged home, every zone serves its function — and you feel it from day one.
Master architects observed this principle intuitively: piano nobile in Palladio, the central atrium of Roman villas, the «quiet center» in vedic architecture. We bring it back consciously.
These aren't «three options to choose from» — they're three conditions at once. If even one is violated, the home stops working.
I work at the intersection of three living traditions — every decision is checked against all three. A mismatch between them is a signal to redesign.
Ten Books of Vitruvius. Four Books of Palladio. Leonardo's Vitruvian Man. Le Corbusier's Modulor. A continuous canon from the 1st century BCE to the mid-20th century.
St. Peter's Basilica in Rome, Palladio's Basilica in Vicenza, the Unité d'Habitation in Marseille — each has stood for centuries and remains a benchmark, because it was built by laws that don't go out of date.
Vitruvius derives proportions from the diagonal of a square and the human body. Palladio develops a system of orders. Le Corbusier consolidates it into a single modular scale, the Modulor, in 1948. I draw on all three sources — every drawing is checked against Φ.
Twelve commensurate sazhens — city, great, Greek, royal, church, common — are not a random set of old units. They form a two-row modular system of the golden ratio, rigorously described by A. A. Piletsky and A. F. Chernyaev in the 20th century.
External dimensions follow the husband's height. Interior rooms follow the wife's. The home receives a chordal structure of proportions: the same laws that make a musical «C» align with «E» in a third. Waking in such a house, the body recognises the harmony of space before the mind notices it.
The major studies on sazhens — Chernyaev's Foundations of Russian Geometry, Golden Dimensions of Physics and Gold of Old Rus — comprise hundreds of pages of mathematical proof. I built my own house by this system.
One of the most complete architectural systems that has reached us in a living tradition. It unites three levels — proportions, orientation by cardinal directions, and the placement of functions — into one method. The canonical texts are five classical shastras: Mayamatam, Manasara, Samarangana-sutradhara, Vishvakarma-vastushastra, Brihat-samhita.
Among my teachers is the Indian master Krishnan Nambudiripad in Kerala. Among the key texts we studied is Manushyalayachandrika, the classical South Indian treatise on proportions of a dwelling, preserved in an unbroken oral lineage.
I study the shastras themselves in English academic translations — the principal language in which Indian architectural thought develops outside India.
Italian architects designed the Moscow Kremlin. Rome traded with India for thousands of years. These cultures exchanged knowledge — and each independently arrived at the same laws of proportion. The root is one, ancient and shared.
Each of the three principles has independent confirmation — biological, psychological or historical. I rely on verifiable sources and architectural practice.
The proportions of the human body and the golden ratio Φ are tested not in a laboratory but by thousands of buildings that have outlasted eras. The best proof of the architectural canon is buildings that, after 500 years, no one wants to demolish.
Le Corbusier built the Unité d'Habitation and the chapel at Ronchamp by his Modulor. Seventy years later — UNESCO benchmarks. Architectural fashion has changed six times in that period. The canon has not.
The first thirty minutes of sunlight are the principal synchroniser of the human circadian rhythm. Sleep, cortisol, recovery and mood through the day all depend on it.
Houses oriented to sunrise give the family a steady circadian cycle. This isn't an add-on to coffee and vitamins — it's the very biological foundation on which every other health habit rests. The orientation cannot be fixed by renovation or furniture: it's set once, when the house is sited, and stays with the family for life.
Constant background noise in zones of sleep and rest raises cortisol and impairs recovery — even when you've stopped consciously hearing it. The principle of the «quiet center» requires an unloaded, calm core: the heart of the home isn't filled with engineering shafts, water flows or noisy machinery.
This aligns with current WHO recommendations. A home in which you rest must be quiet at its heart, not just behind a closed bedroom door.
Master architects 3,000 years ago knew intuitively what modern science is only now beginning to measure with instruments — and what 2,000 years of architectural practice has already proved with built buildings.
After five years, a catalogue house starts asking for «tweaks»: a wall moved, a child's room replanned, a kitchen extended, dated decisions replaced. Sixty to a hundred thousand euros in second construction work — the cost of a city flat.
A home calculated to your height through Φ is built on laws that don't expire. Architectural fashion has changed six times in the last hundred years. The canon of proportion has not. A home built on the canon doesn't age with fashion.
Architecture that doesn't go out of fashion — because it was never in it.
I designed and built this house for my family in Hurivka (Mykolaiv region). Two full floors + basement, ~241 m² total. Floor plan ~13.0 × 11.9 m. Completed 2021. I live here with my family — and test on myself everything I offer clients.
Every dimension was calculated through the sazhens system: the three key lengths of the house — 1.46 m (sol), 1.95 m (re), 2.30 m (si) — form a G-major chord. Not a metaphor: G–B–D is the chord that emerges when you measure the intervals between harmonic overtones. The house literally sounds in G major.
The main entrance faces east. The bedroom opens to the west. The brahmasthan — the centre of the plan — is free of engineering. Several years in: the home feels better than on the day we moved in.
Read the essay on this house (Russian) →| Location | Hurivka, Mykolaiv region, Ukraine |
| Built | 2018–2021 |
| Area | ~241 m² (two full floors + basement) |
| Footprint | ~13.0 × 11.9 m |
| Floor height | 3.10 m |
| Sazhens chord | G–B–D (G major) |
| Orientation | Main entrance east, bedroom west |
| Method | Vastu Vidya + Sazhens + Φ canon |
Palladio, Vitruvius, Le Corbusier, Alberti, Russian sazhens, Mayamatam, Manasara, Brihat-samhita — the mathematical foundation behind my wellness method, explained through proportion and music. This is the theoretical base on which every concept I design is built.
Download the site-assessment checklist — 10 criteria by which a Vastu architect evaluates a plot. Read it before sending a request. It makes the first diagnosis more concrete.
Project diagnosis. You walk me through your plot and family. I give a professional take and a price reference. Thirty minutes, on the substance. No pressure.
Full architectural concept: Vastu + sazhens + Φ. Up to 30 pages of the concept album, 4–8 weeks. Everything your contractor needs to start construction.
We'll talk through your plot and your family. You'll hear a professional take and a price reference. Thirty minutes of conversation, on the substance — no pressure, no obligation. If we're not the right fit, I'll say so directly.
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